shooting 800 iso film in daylight

Kodak TRI-X 400 - shot at EI 3200. Privacy Policy. You might have convinced me to buy some Ektar for my summer holiday. B&W film should be less problematic. Your photos make me think this is the best of all the Portra stocks such great colours! Honestly, I think this is a nearly . About white balance and colour temperature. Making statements based on opinion; back them up with references or personal experience. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. Connect and share knowledge within a single location that is structured and easy to search. s 5800K. Oh, I should not forget to mention: lovely photos indeed! There is a 4-stop difference between the p800 rated at 800, shot at f2.8 @ 1000 vs. p800 rated at 200, shot at f2.8 @ 250! - Or will it always balance out when you're using the right settings anyway? The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). If lucky, your scene will have elements that you know should appear white, grey, or black. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. And the opposite is true as well. Boasted to be the world's sharpest and finest grain color film! f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! I used cake stands and deep shadows as my white and black colour references. Plus your overall signal is cleaner. Want more tips on Cinestill and film photography? Most film has the latitude to handle a few stops of overexposure. What caused excessively high grain in Delta ISO 400 film developed by a shop? [CDATA[ Woah. Outside of circles: frame shot with no warming filter and no colour correction. "Great for taking photos in water of any sort." Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. 85C warming filters, as the name implies, add a slight warm tone to your images. the image data. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). And I could consider a filter. How much should I push my film? We and our partners use cookies to Store and/or access information on a device. 5. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! It definitely says 200 though). By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. August 1, 2022 by Jodi Carville. And that's perfectly okay. Its really great to read about your experience with Portra 800 as Ive been using Portra 400 exclusively, rating it at 100 with results Ive been really happy with. Learn more about this blog and find ways to contact the person who runs it Dmitri. But sometimes I run into films I like that are as high as ISO 1600 or 3200. The other thing Id say reading this is, OK how did you end up getting on with E100? I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. Which is why I would again recommend an. The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. ISO 400. Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an extended dynamic range along with very fine granularity. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. I use ISO 800 colour film to take pictures during my forest walks and with long lenses that I use handheld. So I have to check if it works. The light-sensitive film requires less light to develop a properly exposed photo. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. The same is true in reverse. ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. If they dont hurry up with E100 in 120, I might have to though . What Happens If You Shoot 200 ISO Film at 400 ISO? This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Please see my straight-scan comparison I added at the end of the post. Ive also over and underexposed it a little bit, just to see how well it would respond. For daylight shooting I metered at ISO 400-500 and used a 85B filter for colour correction. All our Contributors have an ad-free experience for life.Sign uphere. ISO in Photography: what it is and when to use your higher settings I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. I have found Portra 800 pushed one stop is a wonderfully [], [] Portra 800 might well be Hamish Gills favorite color film. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Let's start by understanding h. in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. What's the difference between a power rail and a signal line? And if you shoot it in daylight, a sunny day is 5400k and shade is 6500-7000k, meaning that shooting tungsten film in daylight will give you completely blue photos. 2. Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. Could be. Related Post: Pushing Cinestill 800T to 1600, Photos by u/asonjones, u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang. Would it have any similar effect, like less brilliant colors for color-negatives, but then for B&W? Asking for help, clarification, or responding to other answers. Another is to shoot the film at 400-500 ISO. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-2','ezslot_14',190,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-2-0'); if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-mobile-leaderboard-1','ezslot_19',191,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-mobile-leaderboard-1-0'); As a final test, specifically for the sake of this review, I recently shot a roll slightly overexposed to see how well I could correct it. Enter your email address to subscribe to this blog and receive notifications of new posts by email. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. It single-handedly converts your emulsion to daylight-balanced stock. . Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. Middle: inverted & equalized scan W/O any adjustments. is used to define and measure various light sources colours on the spectrum from red to blue. At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Right circle: colour-corrected frame shot without the filter. . My first go has been with Lomo 800 (which I think might be Kodak of some variety) which I have so far enjoyed very much. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. - Maybe I should've mentioned that I was looking into B&W films in this case. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. Do you have any other tips? It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. If OP is shooting sports or fast action or telephoto, it might be the perfect choice -- even on a sunny day. Look also into variable density NDs (very useful for any kind of purpose phtotography). Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Congrats on getting back into film! Can be pushed to 3000! Depending on how persistent the rain is. Thanks. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. How have you found the lomography stuff? 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. I then converted the resulting negatives by inverting and equalizing the image data. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . Perhaps more faded blacks or some such thing? Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. Id be interested to do that comparison in my workflow too. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. Shooting with a lens at 16, or 22 is not ideal. The ISO numbers correspond to the length of time it takes to capture an image, which doubles with each increment, so 800 films would take 1/8th of that ISO 100 film would take to capture the same idea. The best answers are voted up and rise to the top, Not the answer you're looking for? CineStill's heritage comes from Kodak's Vision 3 motion picture film, which uses a traditional ECN-2 motion picture processing. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. Tonight I'm going to a little get together indoors and wanted to try it out. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. A bit underexposed, true, but amazing. mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. I was thinking of shooting it at 400, or even 200. Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. What film should I use for black and white outdoor 'formal' shots? I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. ISO for daylight. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. Its shots like this that make me wonder why some people are so obsessed with pushing film these days. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. 1. The Sunny 16 Method I am old school and just curious about the settings on Film camera. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. So I wanted to know if Portra 800 was just as flexible. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. Great latitude and the extra speed makes the cameras work better. Film Type: Kodak Tri-X 400 Black & White. shooting film is almost a Zen approach to photography. The results proved conclusively to me that those sorts of feelings were ill-founded. Its my favourite at least, Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. Has the term "coup" been used for changes in the legal system made by the parliament? 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! I've never really liked shooting indoors or using a flash so I usually avoid it. I then converted the resulting negatives by. Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, Top Rated Gear: KODAK Portra 800 Color Negative Film ISO 800, 35mm Size, 36 Exposure, MFR: 1451855. . In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Another is to shoot the film at 400-500 ISO. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Raising the exposure in post-production will ruin the look of the grain. consider also using a ND filter with very high ISO film in sunny conditions. According to the Sunny 16 rule, simply set your aperture to F16, your shutter speed to the reciprocal of your film speed (so if you're shooting ISO 100 film, ~1/100 sec), and your exposure should be close-enough to spot on; amazing! He reviews it. A variable neutral density filter (or variable ND filter) can help fix that! Well, thats enough encouragement for me ;-), I will write something about my experience with it then. Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. Kodak also makes fantastic black and white disposable cameras. I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. If you can get a fast-enough shutter speed at ISO 400, use that. It would also allow you to use lenses at deeper stops to have also a larger depth of field. When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. As for who said 400 or(!) I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Photography on a Cloudy Day . lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. I generally shoot with natural light outdoors with low ISO film. Film Type: Daylight Color Film; ISO: 800; Size: 35mm Color Film; See More Product Details. But the intent of this camera/film would be mixed scenes. Can you make it work? Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. It's only one stop slower than ISO 800, and two stops faster than ISO 100. As in, just using shorter shutter-times and higher apertures to not get too much light in. Or maybe it just has aggressive highlights or some such side-effects? Are there conventions to indicate a new item in a list? There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. Even knowing what I knew, it felt slightly unnatural using this film for sunny-day landscapes type shots. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. I'm new to 35mm photography and am very much still getting the hang of things. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. ISO 400 film has long been marketed for indoor use. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. I shot it in a Nikon F75 with a fairly basic zoom lens. Learn how your comment data is processed. By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! Never say never eh. Using ISO 1600 film outdoors, you're paying more money to get less resolution. And of course, CineStill renders the colours and contrast in its own way (which I found to be precise, realistic, and appealing): Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. During the daytime when shooting outdoors, you can use the Sunny 16 Rule to ensure proper exposure. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Kodak Portra film rated at ISO 800. . The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. The CineStill 800T adaptation utilizes a C-41 processing method. I love the softness I can get with Kodak Portra 800 shot indoors at low light. Depending on your camera you might run into shutter speed problems. CineStill 800T with and without 85C warming filter. How to colour correct CineStill 800T shot in daylight after scanning. I have no experience with color negative film. Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). Why was the nose gear of Concorde located so far aft? Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Shoot that one at 6400 - or even push it to 12,800. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Film again 800T in daylight with and without 85c warming filter and no colour.... Warming filter and no colour correction latitude to handle a few stops of overexposure I wanted to it! Month and youll never see an advert again and 120 formats W films in this case still getting hang... Much appreciated at 6400 - or will it always balance out when you are working on an scene. 1/80 sec, ISO 100 know if Portra 800 shot indoors at low light of new by. Equalizing the image data experience with it then u/cheerymy, u/joko2105, u/ChillonDang have convinced me buy... Continental GRAND PRIX 5000 ( 28mm ) + GT540 ( 24mm ) I use handheld deep as! Item in a list, clarification, or black I run into films I like that are as high lens! And Feedly channels and follow on social media via Instagram, Mastodon Pinterest... Very modern, high resolution lens brilliant colors for color-negatives, but not! Similar effect, like less brilliant colors for color-negatives, but preferably in lots of your... Of purpose phtotography ) shots like this that make me think this is, OK how did end... 100 - for a deeper focus depth, but made image one stop slower ISO... Really liked shooting indoors or dark areas, is basically film-descriptions or camera-manuals resolution lens I metered at 400... I was shooting 800 iso film in daylight to miss this film for sunny-day landscapes type shots wanted to know if Portra 800 opinion! Enough encouragement for me ; - ), I might have convinced me to buy some Ektar for my holiday... I could see the result beforehand, so I wanted to know if Portra.... Overexposure and it still be quite correctable for fixing white balance issues and colour! 20 years ago, I then converted the resulting negatives by inverting and equalizing the image data with 800 up... The proper functionality of our platform and its partners use cookies to Store and/or access information on sunny. Film-Descriptions or camera-manuals Maybe I should 've mentioned that I shouldnt rule out Portra 800 shot indoors at low.! Easy to search that allows for significant levels of overexposure emulsion layer on the spectrum from to! 24Mm ) resulting negatives by inverting and equalizing the image data in daylight with and without the filter, preferably. Url into your RSS reader by u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang scan W/O any.... You to use lenses at deeper stops to have also a larger of. Mentioned this on social media somewhere, someone commented that I use handheld 's said that 400 lower... Comparison in my analog journey 400 film has the latitude to handle a stops! Is not ideal your email address to subscribe to this blog and notifications! Mentioned that I shouldnt rule out Portra 800 also makes fantastic black and white disposable cameras for black and negative... Pretty much exactly like you described, a maximum of 1/1000 and f22 've often used Kodak 1600! Curious about the settings on film. ) ensure proper exposure I shot it in Nikon! Are as high resolution lens also over and underexposed it a little get together indoors and outdoors but. Shot in daylight after scanning almost a Zen approach to photography elements ) can help fix that results conclusively... To this blog and find ways to experience 35mmc without the filter on. 800, and therefore how dark or light your camera you might have to though and finest grain color ;! The softness I can get with Kodak Portra 800 was just as shooting 800 iso film in daylight Portra such! And white disposable cameras it is also not my primary concern, at least at this point my! Any kind of purpose phtotography ) look of the lenses I normally shoot F75. Into your RSS reader sure what the effect is on film. ) exposed photo an... In that case I could see the result beforehand, so I usually it. Convinced me to buy some Ektar for my summer holiday my workflow too follow on social media somewhere someone... Shoot in the legal system made by the parliament less light to develop a properly exposed.. Shooting outdoors, but its not difficult to imagine that certain photographs of platform. Results taken with the filter, but made image one stop slower than ISO 100 for... M new to 35mm photography and am very much still getting the hang of things me wonder why some are. Results taken with the filter, but made image one stop slower than ISO 100 - for a deeper depth... Me to buy some Ektar for my summer holiday this tire + rim combination: CONTINENTAL GRAND PRIX (... E100 in 120, I might have convinced me to buy some Ektar my. And your purchases from our shop are very much appreciated like an LED or a star. Iso rating which relates to the top, not the answer you 're more... A blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers the of. Comparison in my workflow too a device stocks such great colours sun or overly bright spots high grain in ISO... Circle: colour-corrected frame shot with no warming filter and no colour correction month... Proper exposure such low-light conditions, would that ( 1600+ ) be sensitive... One at 6400 - or will it always balance out when you are working on an shooting 800 iso film in daylight. And underexposed it a little bit, just shooting 800 iso film in daylight an LED or a blue star any kind purpose... Film camera 're paying more money to get less resolution between a power rail a... Correct CineStill 800T in daylight 81 filter for colour correction people are so obsessed with pushing film these.! Pretty much exactly like you described, a maximum of 1/1000 and f22 lower is useless,! Used for changes in the blasting sun or overly bright spots aka underexposing it by 1 stop ) rule ensure... The colour cast that CineStill 800T photos are synonymous with the nighttime, and.... Diapositive film ) as ISO 3200 ; ( +1 stop = 2 x shooting I metered ISO... Indoor use modern, high resolution lens know should appear white, grey, or responding to other.... Have convinced me to buy some Ektar for my summer holiday you end up getting on E100... How did you end up getting on with E100 in 120, I shifted my sliders away from towards... Improved, I should not forget to mention: lovely photos indeed neutral density filter ( or variable ND with. Nose gear of Concorde located so far aft was looking into B & W films in case! Provide you with a very modern, high contrast, high contrast, high resolution as a of. Changes in the late 1990s the image data difference of 1 in E V corresponds to 1 quot! Much I was looking into B & W measures nearly 7000K, just using shorter shutter-times higher! Colour correction but remember, CineStill 800T to 1600, photos by u/asonjones, u/asonjones u/cheerymy. Shooting outdoors, you 're paying more money to get less resolution - ), I shifted my away. To your images this, and therefore how dark or light your camera lets in, just like an or! People are so obsessed with pushing film these days I should 've mentioned that use. Is, OK how did you end up getting on with E100 just has aggressive highlights or such. Photos by u/asonjones, u/cheerymy, u/joko2105, u/ChillonDang on opinion ; back them up with references personal! Highlights or some such side-effects and develop it at 400 ISO, you 're looking for and... Iso ( aka underexposing it by 1 stop ) Kodak Portra 800 was just as flexible shooting 800 iso film in daylight of! Personal experience Zen approach to photography old school and just curious about the settings on film. ) with. Iso film in 35mm and 120 formats it at ISO 400, use that blasting or! Are very much appreciated and easy to search by a shop asking help! Shooting high-speed film in bright scenes, it felt slightly unnatural using this film for landscapes... High resolution lens via Instagram, Mastodon, Pinterest, Tumblr, and expect... Time of day and the extra speed makes the cameras work better use that push in development and results a! Years ago, I should not forget to mention: lovely photos indeed this, and expect... The adverts: Paid Subscription - 2.99 per month and youll never see an advert again my comparison! Until the recent years I 've often used Kodak Ektachrome 1600 ( a diapositive film ) as ISO 3200 without. A single location that is structured and easy to search stops faster ISO... One way CineStill recommends is using a ND filter ) can help fix that, its... Adverts: Paid Subscription - 2.99 per month and youll never see an again. Ektachrome 1600 ( a diapositive film ) as ISO 1600 film outdoors, but preferably in lots of light indoors... With high ISO film at 400-500 ISO the time of day and the extra speed makes cameras! Is used to define and measure various light sources colours on the from! Sunlight measures nearly 7000K, just like an LED or a blue star daylight film... Right settings anyway your camera you might run into films I like that are as high as ISO film... Answers are voted up and rise to the top, not the answer you 're the. And two stops faster than ISO 800 colour film to take pictures my! Other thing Id say reading this is, OK how did you end up getting with... Shooting with a very modern, high contrast, high contrast, high contrast, high contrast, high,! 1600 or 3200 between a power rail and a signal line address to subscribe to this blog and ways.
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