If they've got dark hair it's even better"--perhaps she'd prefer Cream or the Doors. Equally I laugh out loud quite a lot and I love comedy. And why this church in particular? "She comes from an art school ethos," says Paul McGuinness, who has been managing Harvey since she supported his other clients, U2, in 1993. PH: Well, I find writing very difficult. Unsurprisingly, she has not been seduced by such fripperies as Twitter. Always pushing boundaries, singer-songwriter, poet, composer, and occasional artist PJ Harvey announced on Monday that her anticipated follow-up to Let England Shake (2011, winner of the Mercury Prize) will completely break the barrier between studio-produced LPs and live albums.Through a four week long living art exhibition “Recording in Progress,” Harvey, alongside … PJ Harvey is going on tour but before you see her live check out what the artist has to say about interviews. I always have been [inspired by current events], but like I said, I didn't feel I had the language at my disposal to write about such things in song and do it well. ", Such as? Polly Jean "PJ" Harvey MBE (born 9 October 1969) is an English musician and singer-songwriter. She sits down to write every single day instead of waiting for the muse to strike. "Just that feeling of reading something profound and having your breath quite literally taken away by the end of a piece. Elvis Costello is the subject of the latest 5-10-15-20 interview series over ... when talking about PJ Harvey. "I didn't want to tell people what to think or feel," she says. "I wanted to remain a narrator." So if there's an open book like the internet, there's a temptation to sit there and learn everything. PJ Harvey writes alone and wouldn't collaborate, she offered to write Madonna a song, so why not take her up on it. I do react to things. "There was so much going on. Beefheart's 'Dachau Blues'. Maybe because we actually get up and perform our work… but then, that doesn't hold water either because often playwrights or film writers are within their plays and films. ", Listening to her talk about Let England Shake, it sounds less like a record than a novel or an art exhibition. I was actually setting out to work in Berlin, as that was a city I was finding quite interesting at the time and wanted to work there. 1. Do you think this is your least introspective record? In particular, 'The Words That Maketh Murder' - despite the antiquated language of the title - seems rooted in the present with its refrain of "What if I take my problem to the United Nations?". "I don't feel I have to explain the intentions behind anything". In the same interview, Costello heaped praise on Harvey’s 4-Track Demos, which included eight demos from Rid Of Me, saying the former is “20 times the version of the songs on [Rid Of Me], in terms of intensity and intent.” He added: “What matters is her, what PJ is doing. She maintains her sense of mystery, which serves her art but leaves anyone who loves that art wanting to know more about the person who creates it. PJ Harvey performing Good Fortune on The Tonight Show with Jay Leno 10/17/2000 with interview PH: It's very natural for me to want to keep learning, and so I always want to be experimenting and going into new areas because it stimulates me as an artist, and I can uncover new things. Also in the February edition: Mastodon, Franz Ferdinand, Judas Priest, Darren Hayman, The Damned, M Ward, Dan Deacon, Grandmaster Flash and more. Was focussing that much on the lyrics something you found difficult? It also left her free to experiment with her style of songwriting. After releasing her eighth LP, White Chalk, and launching a two-date-only U.S. tour, PJ Harvey talks to Pitchfork about touring alone, playing piano, and writing scary songs. While writing Let England Shake, she dug out the war memorabilia of her own family: her great grandad's naval hatband, her grandfather's drum from the Home Guard, dozens of old photographs. "I've always been very visceral in that I feel things very deeply. More a purity of voice - not trying to adopt anything, particularly. Discover releases, reviews, credits, songs, and more about PJ Harvey - Interview at Discogs. I can't not finish a book. It felt very strange to not even be in the place where the prize was being given and then to be on the telephone and to look out of my window and see that scene.". PJ Harvey: 'I feel things deeply. Who could blame her for pulling up the drawbridge in later years? Following the release of their skin-flaying debut Dry in 1992 and the even more abrasive Rid Of Me the following year, the trio disbanded and Harvey continued working under the same moniker. Polly Harvey: Well, it wasn't planned; I didn't set out that way, to record in the church. But I also think people - for whatever reason - sometimes like to think that an experience a person is singing about actually happened to them. The project takes a fresh look at some of her classic recordings, bringing them back to vinyl. "Or indeed any of the songs on the record – how you can apply them to different situations. But it really was stages in a process. I'm reading John Burnside's poems at the moment. The only personal detail I can remember extracting is her unexpected love of Wife Swap. Another question - this time about the personal significance of the 19th century church the album was recorded in - is knocked away with a straight bat, too. ", PJ Harvey's Let England Shake and her latest single The Glorious Land are out now on Island, Polly Harvey opens up to Dorian Lynskey about 20 years in music and the emotions behind her latest dark masterpiece, PJ Harvey: 'I feel things deeply. Her next two (To Bring You My Love, Is This Desire?) I get angry, I shout at the TV, I feel sick', Polly Jean Harvey in March 2011. PJ Harvey has taken part in a rare interview with Andrew Marr for his BBC One show, as well as performing ‘The Community Of Hope’. Usually the life promotes the work, and interviewers comb the lyrics for gateways into autobiography, but Harvey likes to keep certain doors closed. I hadn't had that confidence before. Discover releases, reviews, credits, songs, and more about PJ Harvey - Interview at Discogs. PH: Yes, yes. It might be screaming like a lunatic, running fast down a hill. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day. PJ Harvey interview + Let England Shake Skavlan 2011. olly Jean Harvey chooses her words carefully. I haven't drowned my daughter in a river, and I haven't crawled across the desert for 40 years either. ", The industry standard cycle of album-tour-album-tour doesn't apply. Sep 30, 2016 - Explore Todd Arita's board "Polly Jean Harvey Sexy!" Some may just be poems or short prose, some may become songs. A probing into the meaning behind the words of her new album Let England Shake is easily deflected. Complete your PJ Harvey collection. Although the route would be the sound; it's a very unusual sound that goes throughout the whole record in the telling of the narratives and the stories. I have to give it a lot of hard graft. Do you know his work? You just close up all your edges and carry on about your day. INTERVIEW: Seamus Murphy on his travels with PJ Harvey December 18, 2020 December 18, 2020 John Soltes 0 Comments Film Forum , PJ Harvey , Seamus Murphy Photo: PJ Harvey, the acclaimed singer-songwriter, is the subject of the new documentary PJ Harvey: A Dog Called Money by filmmaker Seamus Murphy. February 15, 2011 • British singer-songwriter PJ Harvey watched hours of war footage before writing the songs for her eighth album, Let England Shake. "She's not, quite honestly, that interested in success. When, in 1992, she was promoting Dry, whose torrid, abstract expressions of female sexuality were new to indie-rock, she found herself fielding questions about when she lost her virginity. You said earlier that you spent longer on the words for this record than any others. PJ Harvey and John Parish interview: Part two The second instalment of our exclusive video series sees Polly and John discuss the secrets behind their songwriting 4:04 This time she is warmer – literally so, because the fire in Kensington's Gore hotel is on full-blast despite the sunshine outside. A diminutive figure swathed in black and sat on a vast settee, she's determined - as ever - not to give too much away. Lyrics tend to start out as poetry, and some then evolve into songs. Q&A with Polly Discusses playing piano, live performance and experimenting interview live sets 2007 part 4 download the full set . The launch event for Lancaster Words, a three-day celebration of all things literary. 'Stories From The City, Stories From The Sea' was released 20 years ago, and broke new ground for the English songwriter, who scooped that year's Mercury Prize. And I think of myself as somebody that continues to carry hope. Harvey's shy persona is at odds with the figurehead who emerged in the early 90s at the forefront of the PJ Harvey trio with bassist Steve Vaughan and drummer Robert Ellis. Entering her 30s, she seemed to have sanded down her edges and become comfortable, which, for all the album's charms, was a disappointment. I didn't want anything to be anchored or tied down. PH: [Laughs] It can be frustrating, yes. Like White Chalk, Let England Shake has an ancient quality – in the words of one song, "the grey, damp filthiness of ages and battered books/ Fog rolling down behind the mountains/ And on the graveyards and dead sea captains." I mean, what would we have if we give up on that? 3 years ago | 13 views. But it's very much today; I wanted to deal with the world that we live in now. I knew I didn't want the words to tip into becoming too dogmatic or self-important, and I wanted to leave them very open to interpretation. Well, there's a reluctance to allow people to divorce the two, I think. PJ Harvey Interview Q&A. ABOVE: PJ HARVEY. Her subsequent record - 1995's To Bring You My Love - marked two enduring distinctions in her career: the genesis of working relationships with producer Flood, John Parish and Mick Harvey (all of whom helped to record Let England Shake), and a predilection for theatricality and constant aesthetic and musical reinvention. It had to have hope running through it. I work every day, because I'm not someone who finds it easy. She indicates a volume of Harold Pinter's poetry that she has brought with her. To find out more, click here. PH: Yeah. Like White Chalk, it was recorded in Harvey's home county of Dorset, but the ghostly, gothic aesthetic befitting of a bleak rural wilderness is gone, and in its place is a warmer and fuller sound. She's not driven in any way by commercial imperatives. With its depictions of warfare, though, it seems impossible that current events weren't a catalyst. To find out more, click here. PJ Harvey PJ Harvey - PJ Harvey Interview . I wanted a sense of moving through different times, different eras, different countries - for it to be a journey, not particularly routed anywhere. She has done such a good job recently of presenting herself as a patient craftswoman, chipping away at words the way her mother chips away at stone, that you could be mistaken for thinking she had become emotionally cool, but it's just that she doesn't advertise that side of her personality anymore, and for good reason. 'Burning in the ovens in world war two.' But no. You learnt to play the piano to make White Chalk; how did you find a similar challenge this time? It's almost like being a sponge and you just have to absorb everything in order to have all of the goods to make something out of that. Miranda Sawyer is joined for a rare interview by PJ Harvey and Seamus Murphy to talk about their film A Dog Called Money, a uniquely intimate … The second instalment of our exclusive video series sees Polly and John discuss the secrets behind … The words are quite weighty on their own, and I knew I didn't want to add more weight to them. I can see what you're saying, but that wasn't the aim. [Laughs] Because I really didn't want to do it badly, because there's nothing worse than a bad song dealing with such things. EFFECTS ", Having lived in New York or Los Angeles, she's thinking of leaving Dorset again for a while. Because it was very important to get it to get the balance right. Unsurprisingly, then, Let England Shake is vastly different to its predecessor. – a goofy joke in Cochran's Summertime Blues half a century ago and a bitter one now — an ocean away in New York the UN Security Council was debating what to do about the rebellion in Libya. In the studio, Harvey uses various Marshall, Fender, Mesa-Boogie and Baldwin amps, as listed in an interview that appears on her website. It took quite a long time to find out how to sing these songs. I knew I wanted the overall sound to be quite uplifting, so the melodies had to be conducive to want to sing, and for other people to want to sing. But I've given it a lot of study and I work very hard at it. She makes a plan and then very methodically carries it out.". 1. We don't tend to draw distinctions between artist and celebrity. And then I just began to sing those words for a long time, until the melody revealed itself. PJ Harvey has a walloping, 50-foot-tall legacy — musicially and emotionally raw when stadium angst was a boys club; opening the door for everyone from Alanis to Karen O. Video of PJ Harvey Interview from 1995 on MTV for fans of PJ Harvey. "People from all walks of life tell me how much it's touched them. WB Yeats. I just use it for very specific purposes when I know exactly what I'm looking for. INTERVIEW: Seamus Murphy on his travels with PJ Harvey December 18, 2020 December 18, 2020 John Soltes 0 Comments Film Forum , PJ Harvey , Seamus Murphy Photo: PJ Harvey, the acclaimed singer-songwriter, is the subject of the new documentary PJ Harvey: A … Apart from her short, inevitably public relationship with Nick Cave (they fell in love while filming the video to their 1996 duet "Henry Lee"), her private life is terra incognita. I'm already writing, and the writing feels like a continuation at this stage, but by the time I've got the strongest words together it might go somewhere else. At that point, she could have gone either way. PJ Harvey and John Parish interview: Part two. For the majority of her live appearances, PJ Harvey tends to use a Vox AC30 and an Orange Retro 50 head into Marshall 4×12 cabinets, creating an immensely saturated tone. PH: I think probably, yes. It speaks to Harvey's fondness for old things. We've got a full PJ Harvey show to show you tomorrow, and ahead of that here's a classic interview from Melody Maker in 1993, taken from Rock's Backpages, the online home of music writing With Lewis Largent. "And all of these writers offer me a greater understanding of what it is to be alive, and that is such an incredible thing art can do for other people. I didn't want to add more weight to the words, otherwise they would have just fallen down. It really opens my eyes and forces me to think in an entirely different way. So I was trying to find words and sing from a very human point of view, because that's something we all have in common. Descripción. Her lyrical perfectionism is the chief reason why her new album, Let England Shake, has been widely hailed as her masterpiece – quite an achievement for someone 20 years and eight albums into her career, at a stage when most songwriters are leaning on their back catalogue. Do you see this album as a love-letter to England, or is it much more complicated than that? Tweet on Twitter ‘Uh Huh Her’ is the seventh album from PJ Harvey and the follow-up to the hugely successful ‘Stories From The City, Stories From The Sea’ which won the 2001 Mercury Music Prize. Pink Floyd, 'Money'. "I think I went on a few different marches. ", Like a more elegant Forrest Gump, she has a habit of wandering into pivotal moments in history. None of her incarnations, though, were as startling as 2007's White Chalk, which was built around brittle piano (an instrument which Harvey learned to play for the record) and featured artwork in which she resembling the deathly spirit of a Victorian child. "I can't recall," she says, unconvincingly. Let England Shake is too hazy historically and geographically to be pinned down solely on her, shifting throughout different time periods, countries and perspectives; it's too conflicted. WHATEVER Harvey says, it's always been difficult to extricate her from her own words. This listing is for a copy of the March/April 1995 issue of OPTION MAGAZINE, with PJ HARVEY on the cover and in a feature interview. Her next album, 2004's Uh Huh Her was a raggedy scrapbook of disparate ideas, less a coherent statement than an exercise in creative house-clearing, and with White Chalk she opened a whole new chapter. A dark, sleek mahogany table separates Polly Harvey from The Quietus. She thought it a strange, dark record when she finished it, and the intensely positive reception has surprised her. On 9/11 (or "September 11, 2001" as she puts it with typical formality) she was on tour in Washington DC. So it does perplex me sometimes, as to why songwriters aren't afforded the same way of looking at their work. PH: Not so much the childlike quality. PJ Harvey has described wearing a veil, while filming on location in Afghanistan, as a "freeing experience". "There wouldn't be any point in me trying to persuade her to take the steps that I thought were necessary to get her into football stadiums," says Paul McGuinness. Sometimes, it's difficult to write about issues without becoming dogmatic. ", Even though Harvey has never written about such issues before, she says she has always been politically engaged, and music was crucial to her education. Share on Facebook. 46,311+ views. In October 2008, around the time she was starting the album, she heard Stephen Wyatt's Memorials to the Missing, a Radio 4 afternoon play about Fabian Ware, founder of the Imperial War Graves Commission. And addressing the issues of the day. For the majority of her live appearances, PJ Harvey tends to use a Vox AC30 and an Orange Retro 50 head into Marshall 4×12 cabinets, creating an immensely saturated tone. Discussion includes talk about country farm life as well as artistic motive. If they've got dark hair it's even better"--perhaps she'd prefer Cream or the Doors. Really she's working to satisfy herself. But I went over to Berlin and couldn't find a place that felt right, so I was still looking for places - and then, just coincidentally, the man who runs this church as an arts centre approached me and said if I ever wanted to use it for rehearsing I could, because he liked my music and knew I lived nearby. We've come from all across the world, and descended from… you name it, we came from there. Less prevalent, too, are the personal themes of loneliness and isolation, replaced with meditations on heritage, nationhood and patriotism. See more ideas about harvey, pj harvey, musician. You almost have to hand over your soul to that action. "I did find myself looking at them and wishing I'd asked a lot more of my grandparents when they were still alive," she says wistfully. "It strikes me every time we play that song," she says. A lot of Dylan's work, especially the early 60s. Watch them both below. PJ Harvey Readies Expanded 'Stories from the City, Stories from the Sea' Reissue. ", In sixth form she had an activist phase. She planned to go there, and to other first world war battlefields, but never got around to it. Where Dry and Rid of Me seemed brutally honest, To Bring You My Love feels theatrical, with each song representing a grand gesture. Yeah. Share on Facebook. By. on Pinterest. I was involved in different action groups at the school. "With songs I almost see the images, see the action, and then all I have to do is describe it. And it all ties together: the voice of the narrator, the music. Like you said, with a few exceptions, playwrights and film writers aren't actually in their own work. The songs they played were windows on the world beyond. PJ Harvey – Interview. PH: Things that I feel need to be said that aren't being said. It can be very frustrating, particularly when it seems almost preposterous that it could be autobiographical. I suspect she just doesn't want to give away any information that might enable people to slap a label on her. English singer-songwriter PJ Harvey rarely gives interviews, and the rollout of her latest album The Hope Six Demolition Project hasn’t been any different. ", I wonder how she was affected by researching Let England Shake. PJ Harvey & John Parish; John Parish and Polly Jean Harvey; merge all; Consumer Guide Reviews: Dry [Indigo, 1992] Since she doesn't fancy comparisons to Sinead or Kate Bush--"I'm like anyone as long as they're female. I'm inspired by the other great writers I go back to and read again and again, and think how did they do that? 'England', for example, espouses a love and hate relationship with her country, claiming "I love England" one moment and bemoaning its "bitter taste" the next. "It would be a good time for me to remove myself from familiar surroundings. PH: I didn't, particularly, because this record travels through many different countries, and I wanted that. "I can't work out how to turn it off," she says apologetically. I wanted the songs to be open enough for people from other countries to find a way in. Do you think that will stop with Let England Shake? Did you feel like that with this record? "It wasn't a church I went to, but it's quite near my house and it's on a place I often walked through". But I do feel at this stage of my life, it feels very important to give voice to things that really matter. Wood-panelled, lined with stern oil paintings and ranks of unread books, it's so remote from the 21st century that even the mineral water bottles on the table between us seem anachronistic, and my Dictaphone looks like something that fell off a spaceship. "There's so much you want to know once they're gone. PJ Harvey has revealed a demo for “This Mess We’re In,” from her upcoming reissue of Stories From the City, Stories From the Sea, out February 26th via UMe/Island.. PJ Harvey releases her seventh album 'Uh Huh Her' on 31 May on IslandRecords. She flew in to visit some friends in Berlin the day the wall came down in 1989. PJ Harvey: Well, the record is dealing with a lot of things that are happening in the world right now-- conflict, shifts in power, the change in society and in countries' relations to each other. PJ Harvey - New Album, Out Now. To paraphrase Will Rogers on Oklahoma weather, if you don’t like the new PJ Harvey album, just wait a while. By. Some don't. Hip Online - February 9, 2008. Complete your PJ Harvey collection. After releasing her eighth LP, White Chalk, and launching a two-date-only U.S. tour, PJ Harvey talks to Pitchfork about touring alone, playing piano, and writing scary songs. were spooky and sensual. I wrote the words first… for about two years, I did nothing but words. Is that the longest you've spent just on the words? PJ Harvey scores first number one album Listen: PJ Harvey and Seamus Murphy interview with Miranda Sawyer "Because I hadn't really done that before. ABOVE: PJ HARVEY. PJ Harvey's ongoing re-issue project reaches 'Stories From The City, Stories From The Sea' on February 26th.. https://www.theguardian.com/music/video/2011/sep/08/pj-harvey-video I'm getting that feeling – just reaching the end of every poem, going 'Oh my God!'" It's a wonderful feeling, and not one I'm used to – the feeling that people were hungry for this kind of work.". Whatever Harvey thinks about the Libyan intervention, or about any specific political controversy, she keeps to herself but the richness and ambiguity of Let England Shake allows listeners to make their own connections. This is the thing about Harvey. And I think that it's only now that I've been writing for this period of years that I have the confidence to feel that I can begin to tackle these things in language. If you love what we do, you can help tQ to continue bringing you the best in cultural criticism and new music by joining one of our subscription tiers. You can't do it with a closed heart. "Had she not got a record deal she would have gone on to do fine art at St Martins. And not trying to adopt any sort of role other than the narrator of the story. "I've done my part, really," she says softly. The person that was delivering the stories had to have the right voice, and the music containing that voice had to inhabit the right place in the stratosphere, if you like [laughs]. She is dressed so chicly, all in black, nothing out of place, that I assume she's doing a photo shoot later, but no, it is just how she likes to present herself. And so there can be times when you can feel too full of the piece that you're making. "I'm not a removed person, no matter what I'm doing," she says. Today is no exception. I think the endeavour is to keep finding a new way of saying something. PJ Harvey: Caught in the Act Interview by Susan Corrigan, i-D, September 1995 POLLY JEAN HARVEY IS AN ICONOCLAST WHOSE MUSIC INSPIRES ADULATION WHILE HER IMAGE INSPIRES SPECULATION. She hoovered up information about myriad conflicts from books and museums. ", She knows so much about Gallipoli, the subject of at least three songs, that she could probably write a doctoral dissertation on the fiasco. ", What were the causes? "I went within my mind but I'd still like to go there and see if the place I went in my mind is how it is.". Does something about working in Dorset make you reconnect to childhood? Is it still frustrating when people try to read autobiographically into your work? She leans forward, freshly excited. She laughs, and her laugh is wonderfully giddy and uncontrolled – it leaps out of her. When I last met her, she didn't even own a computer but she has relented for research purposes. James Joyce." In the studio, Harvey uses various Marshall, Fender, Mesa-Boogie and Baldwin amps, as listed in an interview that appears on her website. Ted Hughes. It made me want to try and get close to this strange, mysterious thing that people can do with words. So that's the link. I didn't want dogmatism, I didn't want fingerpointing, I didn't want self-righteousness or any of that. Harvey's shy persona is at odds with the figurehead who emerged in the early 90s at the forefront of the PJ Harvey trio with bassist Steve Vaughan and drummer Robert Ellis. Follow. On the cover, she stood looking chic and purposeful amid the bright lights of a Manhattan street. It's only now that it's come full circle and I'm using my voice again in a way that's tying everything together. Her personal life is strictly taboo. Even as she paraphrased Eddie Cochran on "The Words That Maketh Murder" and sang "What if I take my problem to the United Nations?" Bookended by a cup of green tea on her side and a Dictaphone on ours, it's a physical gap of roughly eight feet; at times, though, it feels closer to 80. For a list of stockists, visit the Stool Pigeon website I knew that before I even began; that was at the forefront of my mind the whole time. Why did you decide to record this album in a church? I knew what I didn't want. "What touched me the most is that [Ware] heard the voices of the dead talking to him and he couldn't rest. Please whitelist our site in order to continue to access The Quietus. Following the tour for Rid of Me, Polly Harvey parted ways with Robert Ellis and Stephen Vaughn, leaving her free to expand her music from the bluesy punk that dominated PJ Harvey's first two albums. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments. 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